InevitableSwing [none/use name]

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Joined 2 years ago
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Cake day: March 19th, 2022

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  • I don’t know the cause of the crash but the following makes me laugh. I wonder what it is in Persian.

    Jesus nut

    Jesus nut is a slang term for the main rotor retaining nut or mast nut, which holds the main rotor to the mast of some helicopters. The related slang term Jesus pin refers to the lock pin used to secure the retaining nut. More generally, Jesus nut (or Jesus pin) has been used to refer to any component that is a single point of failure which results in catastrophic consequences, and the only thing left to do is, metaphorically speaking, pray to Jesus, hence the name.












  • I don’t want to start a struggle session but as nice as physical media is - I don’t miss records. They get warped or they get scratched. In some alternate universe if a record was somehow the same high fidelity but the size and weight of a cassette - I might actually buy some. I would have some. But I don’t know how the windows would work on the cover of Physical Graffitti. Holograms I guess. Or then again - something better.

    It’s the little differences. I mean, they got the same shit over there that they got here. But it’s just - it’s just their physics is a little different. And you know what they call a Quarter Pounder with Cheese? A Royale with Cheese.


  • I like old music. Particularly rock from the 1960s, 1970s, 1980s. Jazz from the 1950s, 1960s. A lot of music over the last 30 years or so drive me crazy and I hate it. I use an equalizer when I watch movies because the TOO LOUD / TOO QUIET problem is even more annoying. Usually equalizing does the trick. But some damn tv series figured out an extra-annoying way of making songs TOO LOUD so I either turn down the volume or skip the scene.

    I’ll leave this here.

    Loudness war

    The loudness war (or loudness race) is a trend of increasing audio levels in recorded music, which reduces audio fidelity and—according to many critics—listener enjoyment. Increasing loudness was first reported as early as the 1940s, with respect to mastering practices for 7-inch singles. The maximum peak level of analog recordings such as these is limited by varying specifications of electronic equipment along the chain from source to listener, including vinyl and Compact Cassette players. The issue garnered renewed attention starting in the 1990s with the introduction of digital signal processing capable of producing further loudness increases.