That kind of violence is really the exception to the rule. Mainly because the movement is anything but centralised, anyone and everyone can be part of it and declare themselves antifascist. And of course the corpo media is more interested in and reports on the things that make us look bad and get them clicks.
I did write an entire essay here, but then it occurred to me that this is rather not the place and it felt… self-congratulatory, so I’ll just say:
Most of the work antifascist actions do is small and quiet but imho more important than the black block.
And the problem is not even the corporate wokeism (although it’s feels about as insincere as all of the current corporate wokewashing) it’s just… bad writing. “Lifeless” is absolutely on point as a description for the sequels. It felt like they only existed to yank my nostalgia while at the same time trying to do so with less thought and love poured into them. Plastic, lifeless, sanitized, insincere, corporate profit driven nostalgia-fodder CAN NOT compare to simply good writing, actors with chemistry and sincerity.
I watched 7, suffered through 8 and didn’t even care about watching 9. Yes, I am nostalgic, but that’s precisely what the sequels were created to evoke. But just nostalgia isn’t enough!
Like you, I really enjoyed most of the spin-offs. They had a story to tell and they had direction, believable characters and did not feel like just trying to yank my nostalgia for the original trilogy. I mean… they DID yank my nostalgia, but then they went above and beyond that and told interesting stories.